Project
The historical episode of the man-eaters of Tsavo exists alongside pop-cultural, largely North American, narrations of the event which have one thing in common; the chief perspective is always that of Patterson, the hunter, the hero, the white man. Perspectives from the Kenyan workers who were directly affected by the lions are notably absent.
The Symbols of Our Resistance adopts a twofold approach to this complex manifestation of cultural patrimony. On the one hand, it excavates the multitude of materials which evidence a Northern fascination with, and fear of, the African lion which are linked to a specific set of ideas about nature and wilderness, their control and extraction. On the other hand, we counter this with an exploration of the contemporary Kenyan folk-history of the man-easters of Tsavo. Through interviews, image searches, investigating design motifs and identifying architectural forms, we open up multiple alternative perspectives.
What emerges from this speculative process is a quite different imaginary of the lions; rather than the prey of the white hunter they are symbols of an anti-colonial resistance.
Taking the form of a multi-channel installation, the work recasts the existing representations of the man-eaters of Tsavo. We try to pose the question, in all its complexities, of how this imaginary of the lions might be different had they lived their 'second life' in Kenya?
AS PART OF: IIP PROJECT TOGETHER WITH: MARIAN NUR GONI MEDIUM: RESEARCH PROJECT FUNDED BY: GERMAN FEDERAL CULTURAL FOUNDATION, GOETHE INSTITUT E.V. EXCELLENCE INITIATIVE YEAR: 2019 - ONGOING
samhopkins.org